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The cache and off-line files are created to speed up files access temporarily but over time they may occupy over 1 Gigabyte space absurdly. Now with PhoneClean, you can quickly find and remove them to reclaim more free space on your iPhone. In Imobie's special zone, customers can enjoy the fun of low-cost shopping.PhoneClean 4 Pro is a handy utility for iPad and iPhone users, now for this Thanksgiving day ‘iMobie’ ( developer) is offering 29.99 worth personal license of PhoneClean 4 Pro for free to everyone, but the only limitation is the giveaway will be available for two. Some Apps will leave them behind even risking swallowing free space on your devices. When processing complex calculations and data exchanges, iOS Apps will produce temporary files, which will be rarely used again once they fulfilled the statistical purposes. Remove iPhone hidden temp files and create your iPhone space free. It is your only choice to reclaim storage space on iPhone, iPad, iPod and all iOS devices ever made. PhoneClean 5.4 for Mac is an all-new iPhone Cleaning App now works for both Windows and Mac. ![]() The current standard KAF4 mount drops the aperture lever from the KAF3 mount and adds an extra contact for electromagnetic diaphragm control. Protection against dirt and moisture incursion is provided by eight separate seals, with a red gasket around the metal lens mount to keep nasties out of the camera. With no physical aperture ring, you’re limited to using the lens at its widest aperture should you mount it on an older body. Users of every DSLR released since (and including) the K-50 will benefit from this, although unless you shoot with a K-1 Mark II, K-P or K-70 you'll need to upgrade your camera's firmware first. The lens’s KAF4 mount adds an extra contact to the KAF3 mount to support electromagnetic diaphragm control from the body. Also helping with flare control is the PH-RBB72 lens hood that’s supplied as standard. As is somewhat standard practice among premium lenses of this sort, the lens combines two coatings: a nanotechnology-based Aero Bright Coating II and a more standard multi-layer HD coating, and the pair work to boost light transmission and minimize reflections that could introduce aberrations and/or affect contrast. The optical makeup of the HD PENTAX-D FA* 50mm F1.4 SDM AW comprises fifteen elements in total, with three anomalous dispersion elements spread throughout the array and a single aspherical element at the rear. Optical construction: 15 elements in 9 groups.Aperture range: F1.4-16 (In 1/3EV stops).Focal length: 50mm (76.5mm on APS-C bodies). ![]() Incidentally, the line will shortly welcome another portrait-friendly Star lens, the D FA* 85mm F1.4, the development of which was announced earlier this year.Īll pictures by Matt Golowczynski unless otherwise noted. This results in an effective focal length closer to 76.5mm, which brings it a little closer to classic mild-telephoto focal lengths associated with portraiture. While intended for users of full-frame cameras, the D FA* 50mm F1.4 SDM AW will also happily partner with APS-C models like the KP and K-70. This particular lens is promised as the first in a new generation of Star optics, which claim to combine centre-to-corner sharpness at even wide apertures, high light transmission and general all-round optical excellence, all with a rugged design and high dependability. K-1 and K-1 II users have the choice of decades’ worth of full-frame-friendly glass, of course, but the HD PENTAX-D FA* 50mm F1.4 SDM AW is the newest member of the company’s premium Star (*) range. Ricoh Imaging now offers two full-frame Pentax DSLRs, the K-1 and largely similar K-1 II, so the need for modern, technologically up-to-date lenses that can do these cameras justice is clear. Can you imagine how the movie would have played out if it was produced today ? It would have shot itself in the foot by bludgeoning the audience to death with a " trust no one " message. It isn't a sci-fi movie and it's also important to point out that it isn't a conspiracy theory thriller either. I saw it again for a second time tonight and was very impressed by it mainly because I knew what it isn't. I was under the impression it was going to have science fiction elements to it but there were none. They agree but a computer error at mission control states their capsule burnt up on re-entry which means they are now dead I first saw CAPRICORN ONE in 1982 and was slightly disappointed by it. ![]() !!!! SLIGHT SPOILERS !!!! NASA send a manned space mission to Mars but at the very last minute change their minds and ask the astronauts to take part in an elaborate hoax. Once you start watching "Capricorn One", nothing will make you Sat-turn the channel! (wow that was lame) So animal lovers as well as 70s thriller lovers, have no fear. While the snake is real (hats off to James Brolin for having the guts do the scene), the snake's stunt double was a dead carcass they had found. A final note that's worth mentioning: there's a scene where a snake meets with an unfortunate fate. It takes a bold filmmaker to put such comedy in a serious film, and Hyams & his acting troupe succeeded brilliantly. Big laughs without disrupting the tension of the story. Another hilarious rapid-fire comedic scene is Elliot Gould arguing with his boss, played by David Doyle ("Bosley" on the original Charlie's Angels). Telly Savalas makes an appearance as a grumpy old airplane pilot, and his rapid fire volley of dialogue with Elliot Gould is like something straight out of a Cary Grant-Catherine Hepburn comedy. There are some priceless scenes that had me rolling, and it's all due to the great script and lines delivered by great actors. The 2nd thing that won me over was something many thrillers overlook: HUMOR. Hyams frequently does a neat little trick where he establishes a shot and leaves the camera where it is but slowly, over the course of 2 minutes or more, moves the camera in or out of the action, creating a thick suspense. Many other shots are as powerful, whether they're outdoors or indoors. First is the careful, artistic approach to cinematography which is evident in the opening scene: a slow rusty sunrise behind the colossal silhouette of the Capricorn spacecraft. You have to ride it out to the very last scene. The director never telegraphs the ending, so you're never quite sure if things will turn out good or if it'll be a miserable tragedy. "Capricorn One" won't necessarily scare the pants off you like some of the other films, but the story will definitely keep you on the edge of your seat wondering what's going to happen. But this is not a sci-fi flick, it's closer to a political thriller. It's best if you know nothing about the story, so I won't say anything about the plot except that it centers around a mission to Mars. But if you're looking for a film that slowly reels you in without any gimmicks, carefully building momentum for the 1st hour leading to an explosive, roller-coaster finale, then look no further. ![]() If you get bored easily, then this isn't for you. No, the 70s classics, in particular "Capricorn One" and other films by Peter Hyams, instead give you long, deliberate shots from a distance, allowing you to absorb every bizarre detail that was meticulously laid out for you. This quiet yet bone-chilling style is the opposite of MTV-type filmmaking which made heavy use of flashy, closeup, disorienting camera shots cut together so quickly that you feel like someone slipped some magic pixie dust in your Kool-Aid. ![]() Stylistic examples include wide angle shots and slow, mechanical camera movements that give the viewer a disturbing feeling of voyeurism or disconnection from humanity (à la "Open the pod bay doors, Hal." "I'm sorry, Dave, I'm afraid can't do that."). Perhaps taking their cues from Stanley Kubrick (2001: A Space Odyssey, Clockwork Orange, etc), all of these classics are presented with an artistic, slightly off-kilter, brightly creepy vibe that encapsulated the end of 60s flower-power optimism and the beginning of 70s cold cynicism. 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MoTES uses contracts to specify the expected behaviour of the model transformation under test. The main novelty of our approach is to use contract-based model transformation testing as a foundation to derive suggestions of concrete adaptation actions. This work further details the Model Transformation TEst Specification (MoTES) approach, which leverages contract-based model testing techniques to assist engineers in model transformation evolution and repairing. As the size and complexity of model transformations increase, their reuse, evolution and maintenance become a challenge. Model transformations play an essential role in most model-driven software projects. Finally, we identify several open research challenges and propose specific action points for the model transformation community. In addition, we present a conceptual framework to understand and categorise the different proposals. ![]() We explore the trends, advances, and evolution over the years, bringing together previously disparate streams of work and providing a comprehensive view of these thriving areas. This paper presents a survey on testing and debugging model transformations based on the analysis of 140 papers on the topics. This is an obstacle for newcomers to this topic and MDE practitioners to apply these approaches. ![]() ![]() This surge of work has led to a vast literature on model transformation testing and debugging, which makes it challenging to gain a comprehensive view of the current state of the art. As a consequence, the correctness of software systems built with MDE approaches relies mainly on the correctness of model transformations, and thus, detecting and locating bugs in model transformations have been popular research topics in recent years. Model transformations are the key technique in Model-Driven Engineering (MDE) to manipulate and construct models. |
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